AHMET ZAPPA AND VAULTMEISTER JOE TRAVERS TO HOST VIRTUAL LISTENING PARTY TODAY AT 3PM EST
FANS ENCOURAGED TO ZAPPA-IFY THEMSELVES WITH NEW FRANK ZAPPA MUSTACHE FILTER
26 JUNE 2020 (TORONTO, ON) – Commemorating the 50th anniversary of Frank Zappa’s heralded but short-lived 1970 Mothers Of Invention lineup, The Mothers 1970,
a new 4CD and digital collection of 70 unreleased live and studio
recordings, is now available via Zappa Records/UMe/Universal Music
Canada, the country's leading music company. To celebrate this momentous
release, co-producers Ahmet Zappa and Zappa Vaultmeister Joe
Travers will host a special virtual listening party today, Friday, June 26 at 3 pm EDT, where everyone can collectively listen together to the unreleased studio recordings engineered by the then-unknown producer Roy Thomas Baker, which make up disc 1, while the hosts discuss the creation of The Mothers 1970 and the unreleased performances, tell stories about Zappa and answer questions.
Fans can also get into the spirit and show their love for Zappa
on Instagram with a new filter unveiled today that superimposes his
trademark mustache and soul patch onto their face. Click here to access
the filter on the official Frank Zappa Instagram and Zappa-ify
yourself.
Overseen by the Zappa Trust and produced by Ahmet Zappa and Joe Travers, The Mothers 1970 collects
together more than four hours of previously unreleased performances by
the celebrated lineup which lasted roughly seven months: Aynsley
Dunbar (drums), George Duke (piano/keys/trombone), Ian
Underwood (organ/keys/guitar), Jeff Simmons(bass/vocals) and Flo &
Eddie aka Howard Kaylan (vocals) and Mark Volman (vocals/percussion)
of The Turtles who performed under these aliases to skirt contractual
limitations of performing under their own names. This iteration of The
Mothers, which likely began rehearsals fifty years ago in May 1970, came
to an end in January of 1971 when Simmons quit the band during the
making of the “200 Motels” movie.
The Mothers 1970 encapsulates the band’s brief but
productive span, which included two visits to the studio – resulting in
the fantastic 1970 album, Chunga’s Revenge – and tours across
the U.S., Canada and Europe. Divided into four parts, the collection is
anchored by top notch studio recordings recorded at the famed
London-based Trident Studios on June 21-22 with a then-unknown producer
in the engineer chair by the name of Roy Thomas Baker, several years
before he’d go on to have massive success working with Queen, The Cars
and Alice Cooper to name a few. An unreleased early mix by Baker of the Chunga’s Revenge track,
“Sharleena,” is just one of the many highlights of the studio
recordings that also boasts several unearthed rough mixes of the
Zappa/Simmons co-write, “Wonderful Wino,” including a rare version that
showcases vocals and an alternate guitar solo by Zappa that has been
lost to the ages as the original multi-track stems were recorded over.
Of the material recorded during this two-day span, “Sharleena” was the
only song ever officially released – so tracks like “Red Tubular
Lighter,” “Giraffe” and an unheard version of “Envelopes” are completely
brand new to fans half a century later.
The band’s live prowess is represented with a slew of concert
recordings, including the first official release of the oft bootlegged
“Piknik” performance originally broadcast on Dutch radio station VRPO,
and live performances from concerts in Santa Monica, Calif. and Spokane,
Wash. which have been edited together and presented as a hybrid concert
since both shows were not fully captured. The release is rounded out
with a selection of live highlights recorded around the U.S.,
interspersed with candid moments recorded in dressing rooms, motel
lobbies and the stage by Zappa who took his personal UHER recorder
everywhere. All recordings comprising The Mothers 1970 were
sourced from their original tapes discovered in The Vault and digitally
transferred and compiled by Travers in 2020. Some tracks were mixed by
longtime Zappa Trust associate Craig Parker Adams and the collection was
mastered by John Polito at Audio Mechanics.
It wasn’t until 1971 when Zappa would start documenting his gigs with
a ½” 4-track recorder so the 1970 tours were not captured in typical
fashion. Instead Zappa recorded as much as he could using his personal
UHER recorder and it is these recordings that make up the second half
of The Mothers 1970. Because of the nature of the recordings it
was almost virtually impossible for Zappa to record full shows due to
the limitations of the tape recorder and the fact he would often times
personally spool tape on the machine on stage while playing.
Occasionally Zappa would have the soundman set up the recorder in the
venue to tape the concert. This resulted in ambient recordings which
was the case for the Santa Monica and Spokane recordings as well as the
live performances that make up the final disc. Similar to the Gail
Zappa-created “Road Tapes” live series, these recordings contain
audience noise allowing listeners to experience what it was like to be
there. The set lists focus heavily on songs from the albums Freak Out!, Absolutely Free, We’re Only In It For The Money, Uncle Meat, the then-recently released Burnt Weeny Sandwich, and early workings of songs that would eventually be released months later on Chunga’s Revenge.
Some of the many highlights include the extended guitar workouts, the
first version of “Easy Meat” and rare live performances of “Would You Go
All The Way?” and “Road Ladies.”
Following Zappa’s especially productive year of 1969 (which saw him record and release several albums, including Uncle Meat and Hot Rats, produce Captain Beefheart’s outsider classic, Trout Mask Replica, as
well as the one and only album for The GTO’s), the musician disbanded
the original Mothers Of Invention and started experimenting with smaller
lineups. Through a variety of circumstances and several chance
encounters, Zappa began to assemble his new group of collaborators, with
the only original Mother being Ian Underwood. As Travers writes in the
enlightening liner notes, which also include a wealth of live and
behind-the-scenes photos from this era: “It’s no secret that Frank was
excited about this group. The cast of characters and their
personalities, musically and personally, made for a very eventful and
humorous chapter in Zappa’s career. Frank had a blast with these guys.
Their sound was unique, their humor was like no other and yet their time
was ultimately short lived.”
Fleeting as it may have been, this camaraderie is on full display and will now live on forever as the exciting new collection, The Mothers 1970.
THE MOTHERS 1970 TRACKLISTING
Disc 1 – Trident Studios, London, England June 21-22, 1970
- Red Tubular Lighter
- Lola Steponsky
- Trident Chatter
- Sharleena (Roy Thomas Baker Mix)
- Item 1
- Wonderful Wino (FZ Vocal)
- “Enormous Cadenza”
- Envelopes
- Red Tubular Lighter (Unedited Master)
- Wonderful Wino (Basic Tracks, Alt. Take)
- Giraffe - Take 4
- Wonderful Wino (FZ Vocal, Alt. Solo)
Disc 2 – Live Highlights Part 1 – “Piknik” VPRO June 18, 1970 / Pepperland September 26, 1970
- Introducing…The Mothers (Live on “Piknik” June 18, 1970)
- Wonderful Wino (Live on “Piknik” June 18, 1970)
- Concentration Moon (Live on “Piknik” June 18, 1970)
- Mom & Dad (Live on “Piknik” June 18, 1970)
- The Air (Live on “Piknik” June 18, 1970)
- Dog Breath (Live on “Piknik” June 18, 1970)
- Mother People (Live on “Piknik” June 18, 1970)
- You Didn’t Try To Call Me (Live on “Piknik” June 18, 1970)
- Agon (Live on “Piknik” June 18, 1970)
- Call Any Vegetable (Live on “Piknik” June 18, 1970)
- King Kong Pt. I (Live on “Piknik” June 18, 1970)
- Igor’s Boogie (Live on “Piknik” June 18, 1970)
- King Kong Pt. II (Live on “Piknik” June 18, 1970)
- What Kind Of Girl Do You Think We Are? (Live at Pepperland September 26, 1970)
- Bwana Dik (Live at Pepperland September 26, 1970)
- Daddy, Daddy, Daddy (Live at Pepperland September 26, 1970)
- Do You Like My New Car? (Live at Pepperland September 26, 1970)
- Happy Together (Live at Pepperland September 26, 1970)
Disc 3 – Live Highlights Part 2 – Hybrid Concert: Santa Monica August 21, 1970 / Spokane September 17, 1970
- “Welcome To El Monte Legion Stadium!” (Live)
- Agon (Live)
- Call Any Vegetable (Live)
- Pound For A Brown (Live)
- Sleeping In A Jar (Live)
- Sharleena (Live)
- The Air (Live)
- Dog Breath (Live)
- Mother People (Live)
- You Didn’t Try To Call Me (Live)
- King Kong Pt. I (Live)
- Igor’s Boogie (Live)
- King Kong Pt. II (Live)
- “Eat It Yourself…” (Live)
- Trouble Every Day (Live)
- “A Series Of Musical Episodes” (Live)
- Road Ladies (Live)
- “The Holiday Inn Motel Chain” (Live)
- What Will This Morning Bring Me This Evening? (Live)
- What Kind Of Girl Do You Think We Are? (Live)
Disc 4 – Live Highlights Part 3 – FZ Tour Tape Recordings
- “What’s The Deal, Dick?”
- Another M.O.I. Anti-Smut Loyalty Oath (Live)
- Paladin Routine #1 (Live)
- Portuguese Fenders (Live)
- The Sanzini Brothers (Live)
- Guitar Build ’70 (Live)
- Would You Go All The Way? (Live)
- Easy Meat (Live)
- “Who Did It?”
- Turn It Down! (Live)
- A Chance Encounter In Cincinnati
- Pound For A Brown (Live)
- Sleeping In A Jar (Live)
- Beloit Sword Trick (Live)
- Kong Solos Pt. I (Live)
- Igor’s Boogie (Live)
- Kong Solos Pt. II (Live)
- Gris Gris (Live)
- Paladin Routine #2 (Live)
- King Kong - Outro (Live)